Patterns - Lots 1026-1079
The Harry W. Bass, Jr. Collection - Part I
Patterns - Lots 1026-1079
1849 P-126 Pattern 3¢
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1026 1849 pattern three-cent piece. P-126, J-112. Restrike. Rarity-6+. Half dime obverse. Proof-64 (PCGS). Silver-copper. Reeded edge.
Obverse Design: The 1849-dated Liberty Seated design as employed for the production of half dimes in this year.
Reverse Design: Roman numeral III in a plain field with dentils at the border. This reverse design was prepared by William E. DuBois. Certainly, very little thought was required for this hastily produced pattern issue.
Surfaces: Sharply struck, based on examination of the obverse, with reflective surfaces. A splash of golden orange is visible in the left obverse field. The reverse has very light toning as well. Raised planchet rifts, or bubbles, are noted on the reverse.
Narrative: The reverse is double struck, rotated between strikings. There is no evidence of doubling on the obverse. The date is noticeably doubled, most prominent on the digits 1, 4, and 9. This appears to be from the same obverse die described in our Eliasberg catalogue, Lot 975. An interesting companion piece for the collector of Liberty Seated half dimes or three-cent pieces.
Technical Aspects: Weight: 21.2 grains. Diameter: 15.2 mm. Die alignment: 180° or 360°.
Purchased from Lee Hewitt, April 17, 1972.
Curious 1868 Pattern Three Cents
Divergent Die Diameters
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1027 1868 pattern three-cent piece. P-680, J-615. Rarity-6. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Similar to the design appearing on regular-issue nickel three-cent pieces. The border is considerably wider.
Reverse Design: Roman numeral III is enclosed by a wreath of corn, cotton, wheat, and tobacco, similar to the wreath found on Flying Eagle cents and other regular-issue coinage.
Surfaces: Light nickel gray surfaces with reflective mirrored fields and cameo devices. Sharply struck with complete details in the reverse wreath. A few minor spots are noted on the reverse.
Narrative: This pattern has an obverse from the dies of a regular issue three-cent nickel piece, but on a planchet the size of a one-cent coin. The reverse die is of the normal one-cent diameter. An interesting combination yielding a wide obverse border and narrow reverse border.
Technical Aspects: Weight: 46.3 grains. Diameter: 19.1 mm. Die alignment: 360°.
Purchased from Joe Flynn, Sr. Coin Co., August 10, 1971.
1028 1868 pattern three-cent piece. P-682, J-616. Rarity-7. Coronet Head. Proof-65 RB (PCGS). Copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: A lovely Proof example with considerable mint red remaining over olive-brown. Both obverse and reverse exhibit vivid blue and lilac toning. Very sharply struck with only a few very minor spots or other impairments.
Narrative: The reverse has a wreath that is very similar to the "agricultural" wreath found on the reverse of the Flying Eagle cent, issued a few years earlier.
Technical Aspects: Weight: 45.9 grains. Diameter: 19.1 mm. Die alignment: 180°.
Purchased from Brinton T. Schorer, May 3, 1973.
1029 1868 pattern three-cent piece. P-687, J-618. Rarity-5. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Similar to preceding, from a larger diameter die, so that the borders are of a more normal width.
Reverse Design: Roman numeral III within a laurel wreath.
Surfaces: A delightful cameo Proof with light gray nickel surfaces and very sharp design details.
Narrative: A twin to the regular-issue three-cent piece, but with the diameter of the one-cent piece of this era.
Technical Aspects: Weight: 45.1 grains. Diameter: 19.1 mm. Die alignment: 180°.
Purchased from Julian Leidman, November 17, 1970.
1030 1869 pattern three-cent piece. P-753, J-676. Rarity-5. Coronet Head. Proof-55 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding, except the date is 1869.
Reverse Design: As preceding.
Surfaces: Slightly reflective pale gray surfaces with moderate hairlines. Rather unimpressive design details.
Narrative: A continuation of the small-denomination patterns featuring the design of the regular three-cent nickel issue, these patterns having been introduced the previous year. This is of the same diameter as the regular-issue one-cent coin. This pattern should prove to be a rather affordable example for the enthusiast who seeks a Bass Collection coin for a modest cost.
Technical Aspects: Weight: 45.8 grains. Diameter: 19.1 mm. Die alignment: 180°.
Purchased from Brinton T. Schorer, February 1,1972.
Cameo Proof Pattern P-755 Three
Cents
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1031 1869 pattern three-cent piece. P-755, J-676. Rarity-7. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding, except the dentils are longer and the lower left ribbon tip is shorter.
Surfaces: A lovely cameo Proof with extremely heavy lustre on the devices and deeply mirrored fields. A few very minor spots are visible on the reverse. Minor lint marks are noted as made.
Narrative: Most of these small denomination patterns, featuring the Coronet design, are relatively common as patterns go, however, this variety appears to be an exception, with just five or six known.
Technical Aspects: Weight: 45.5 grains. Diameter: 19.1 mm. Die alignment: 180°. Die notes: Faint die lines are visible, especially on the reverse.
From Stack's ANA Sale, August 11, 1971, Lot 339. Previously from New Netherlands Coin Co.
1881 P-1869 Liberty Head 3¢
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1032 1881 pattern three-cent piece. P-1869, J-1668. Rarity-6+. Liberty Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Bust of Liberty facing left, a coronet in Liberty's hair is inscribed with LIBERTY. The legend, UNITED STATES OF AMERICA, is around with the date, 1881, below.
Reverse Design: A wreath of corn, wheat, and cotton encloses a large Roman numeral III.
Surfaces: Pale gray with deep mirrored fields around heavy cameo devices. A most attractive presentation. A few very minor spots are noted, as are insignificant lint marks, the latter as struck.
Narrative: The series of Liberty Head patterns featuring denominations of one cent, three cents, and five cents were promoted by Mint Superintendent A. Loudon Snowden, bringing order to a chaotic coinage system. The proposed plan included the following important details: uniformity of alloy, due proportions of weight for each denomination, uniformity of design, and due proportion of size for each denomination.
The design, by Charles E. Barber, was later used on the 1883 Liberty head nickel. Many numismatists believe that the Liberty Head as used here and on related issues was his finest work.
Technical Aspects: Weight: 44.9 grains. Diameter: 19.1 mm. Die alignment: 180°. Die notes: On the obverse, the letter U is sharply doubled.
Purchased from Lee Hewitt, April 17, 1972.
1866 P-562 Washington Nickel
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1033 1866 pattern five-cent piece. P-562, J-470. Rarity-6. Washington portrait. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: A bust of Washington faces right with IN GOD WE TRUST above and the date, 1866, below. The final date digit touches, or is very close to, the bust of Washington.
Reverse Design: Two laurel branches are tied together with a ribbon bow. A short numeral 5 is within and the legend, UNITED STATES OF AMERICA, is around.
Surfaces: Bright gray cameo Proof with deeply reflective fields. Just a hint of light gold toning is visible when this lovely coin is tilted in the light. Very sharply struck with pristine surfaces. A faint trace of planchet roughness is visible on the reverse, around RICA. This characteristic was most likely present at the time this example was struck.
Narrative: In the 1860s, when this pattern was produced, coins, tokens, and medals bearing the likeness of George Washington were "hot properties" in the market. Today, in 1999, we hope for a renewed interest in this collecting area, as this year marks the 200th anniversary of Washington's death.
Technical Aspects: Weight: 77.1 grains. Diameter: 20.6 mm. Die alignment: 180°.
Washingtonia Leads the Market: In the 1860s, patterns with Washington's portrait were exceedingly popular with collectors. Much work has been done in the field of Washingtonia by numismatists from James Ross Snowden (1861) to W.S. Baker (1885) to Russell Rulau and George J. Fuld (multiple productions, including the 2nd edition of Medallic Portraits of Washington, just released, and available from our Publications Department), virtually nothing has been done on the iconography of the portraits. Here lies a fertile field for research.
Modeled after busts by Pierre Simon Benjamin Du Vivier and also Jean Antoine Houdon, several different 19th-century artists made their own adaptations, the one here possibly being by Anthony C. Paquet, although it is a close cousin to that of Robert Lovett, Jr., a highly accomplished die sinker in the private sector in the same city. Charles Cushing Wright produced a version as well, and as Wright's was among the first uses in America of Du Vivier's portrait, some later dies by others have been incorrectly attributed to Wright.
As has been related in several places, including in Dave Bowers' American Numismatics Before the Civil War, 1760-1860, and in his various studies of the rare coin market and its cycles, Washington items were the "hottest" series in coin collecting during the general period from 1858 through the 1860s. Mint Director James Ross Snowden took a particular fancy to them.
Certain items of correspondence from this era shed light on the situation:
On January 22, 1859, Mint Director James Ross Snowden wrote the following telling letter to Howell Cobb, secretary of the Treasury (Howell is remembered in other sectors as a defector to the South soon thereafter, during the Civil War):
"Sir, we are daily pressed upon, by collectors of coins from all parts of the country either by letter or in person, for specimens of pattern pieces of coin, and rare types. A few of these have been in every case issued-some of them got into the hands of dealers and are sold at excessive prices. I propose with your approbation, to check this traffic, and at the same time gratify a taste which has lately increased in this country, and seems to be increasing every day, namely by striking some of each kind and affixing a price to them, so that the profits may inure to the benefit of the Mint Cabinet of coins and ores which is the property of the United States; an exact account of which will be kept and rendered to the Department."
There we have it: Director Snowden proposes the expanded restriking of coins (which by that time had been going on for quite a while, but now there was a wider market) for use in augmenting the Mint's own collection. Not stated in the above letter was that Snowden's favorite specialty was tokens and medals relating to George Washington, and to this end he set about with fervor building a display of these within the Mint Cabinet (being the official collection begun at the Mint in June 1838 and continued since that time). Snowden sponsored, lent his name to the title page, and partially wrote two excellent books, each elegantly illustrated, Description of Ancient and Modern Coins in the Cabinet Collection of the Mint of the United States, published in 1860, and, in 1861, A Description of the Medals of Washington: The Medallic Memorials of Washington in the Mint of the United States. In an era in which there was very little literature on United States coins and related pieces, these two works were well received. Even today both books can be reviewed for the excellent information they contain.
In his letter of January 22, 1859, Snowden reveals that when collectors have requested that specimens of "patterns" and "rare types" have been in "every case issued" when requested by collectors. At the time the Mint had an abundant supply of backdated dies on hand, and when a die could not be found, a new one was often made. In summary, Snowden, apparently without thought of personal gain, suggested that such coins should be restruck on a more formal basis, assigned prices, and the profits should go to augment the Mint Cabinet.
In January 1859, coin dealer John K. Curtis asked Snowden if the Mint could supply a specimen of the very rare 1851 Liberty Seated dollar, and the director replied that "one could be struck from the dies of that year." Today we know that two new obverse dies for the 1851 dollar was made up, each differing in minute details from the original 1851 die, which, apparently, had either been lost or rendered unserviceable.
In the same vein is Director Snowden's response to a letter from a P. Clayton, who made this request:
"Dear Sir,
"If you have specimens in copper of the new $20, also model half & quarter dollars & specimen cents struck last year before settling on the new device now used-& can spare them without detriment to the public interest, I would like to have them. My object is to give them to a friend who seems to have a passion for specimens of coins."
Snowden's reply, dated January 24, 1859, bore the notation "Unofficial" and commented:
"Dear Sir,
"I have rec'd your note of the 22nd inst. and learn from it that you are acquiring a personal knowledge of the 'passion for specimens of coins' which possesses so many people in our country. On Saturday I had nine applications of a similar character-today (now 12 o'clock) I have had three. It was in view of this increasing, as well as troublesome, taste that I made the request mentioned in my official letter of last Saturday (22nd inst.) which I hope will deserve the sanction of the department.
"In reference to the specimens you ask for I have to state that the trial piece in copper of the double eagle of 1859 which I left at the Department is the only one I had: I have a few of the specimen cents but not all the varieties. I could send you two or three of these, but perhaps it will be best to defer sending them until the new arrangement is made, when your friend, and all other collectors of Coins, AND THEIR NAME IS LEGION, can be supplied to their heart's content."
Again, in summary his letter specifically states that Snowden's stock of "specimen cents" made the preceding year, 1858, was diminished to the point of having only "a few" coins, possibly only two or three different, but that a "new arrangement" was in the offing under which "collectors of coins… can be supplied to their heart's content."
It would seem that no further proof is required to demonstrate that the Mint in 1859 intended to restrike 1858-dated cents and other rarities.
While today in 1999, it might be viewed that such practice was a "naughty" one, at the time the Mint had a long history of accommodating the wishes of collectors. However, before long the situation would go "underground," and various employees of the Mint would make coins for their private profit, not for the enrichment of the Mint Cabinet. Along the way, the Mint would issue many phony denials, misleading statements, false authentications, and other inexcusable statements, soon earning the enmity of much of the collecting community-especially those who did not have privileged connections to Mint insiders. However, in January 1859 Snowden's motives seemed to have been selfless.
It has been suggested by Don Taxay, Walter Breen, and others that Snowden was engaged in some illegal activity, particularly in view of coinage laws dated 1792 and 1837 which stated that "all coins bear the year of their issue." However, in practice the Mint violated these laws countless times. In fact, even in our own era in the late 20th century the Mint continues to do this, as in the restriking of denominations from Lincoln cents to Kennedy half dollars in the mid-1960s from earlier-dated dies, the pre-striking of 1976 Bicentennial coins beginning in 1974, etc., etc., even including the recent striking of 1999-dated Proof sets in 1998. The list is a long one.
Notwithstanding the seeming openness of Snowden's January 1859 communications, before long there were abuses and, apparently, restrikes in various series were being sold-at least by secondhand parties-without disclosing that they were of recent manufacture. On June 14, 1859, dealer Edward D. Cogan wrote to Director Snowden:
"I have been applied to by a great many collectors of American coins wishing to be informed whether the report now current-that there are many of the pattern cents being restruck at the Mint for the purpose of exchanging them for Washington pieces is true.
"The only answer I can give is that the many pieces shown me lately would tend to confirm the report. A rumor of this kind uncontradicted will tend to depreciate the value of every fine piece in whatever collection it may be found and I should be glad if you would give it the most unqualified denial."
Snowden continued his posture of free dissemination of information by replying:
"It is quite true that I have caused a number of pattern or specimen cents to be struck for the purpose of exchanging them for Washington pieces whenever opportunities to do so occur.
"If you possess any Washington pieces I would be much obliged if you will send me a list of them, and if there are any among them which I desire for the Cabinet I would be pleased to procure them by giving you in exchange other interesting medals or coins."
Beginning in 1859, Snowden, William E. Dubois, and other Mint officials kept busy augmenting the Washington Cabinet section of the Mint Collection (this display would be dedicated on February 22, 1860).
Snowden offered such numismatic delicacies as recognized rarities, Proofs, patterns, and low-mintage coins in exchange for Washington medals and other desired items. Such trades were pleasing to Mint officials and collectors alike. By this process and by selected purchases, the Washington display was increased from a nucleus of "four or five specimens" to 138 pieces by February 1860.
Purchased from Abe Kosoff, August 3, 1971.
1866 P-571 Washington Pattern 5¢
High Relief Portrait
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1034 1866 pattern five-cent piece. P-571, J-481. Rarity-7. Washington portrait. Proof-64 (PCGS). Nickel. Plain edge.
Obverse Design: A small bust of Washington, in high relief, faces right with GOD AND OUR COUNTRY above and the date, 1866, below. In our Eliasberg Collection catalogue, we suggested that this obverse motif was designed in the style of Charles Cushing Wright, and may even have been engraved by Wright, prior to his death in 1854.
Reverse Design: A tall, well-formed 5 is enclosed by two laurel branches tied below with a ribbon and bow. The legend, UNITED STATES OF AMERICA, is around.
Surfaces: Sharply struck with reflective light gray and faint orange toning. A few minor spots are present on both obverse and reverse.
Narrative: As with many patterns of different eras, there were several dies involved in the production of the Washington five-cent pattern issues. Pattern five-cent pieces of this year with a bust of Washington include those with legends such as UNITED STATES OF AMERICA, or the motto IN GOD WE TRUST, or GOD AND COUNTRY. Of these three basic layouts, Andrew Pollock assigned 40 different variety numbers, based on reverse designs or metallic compositions. An interesting study would entail descriptions of specific minute die variations and die states to determine the specific emission sequence.
Technical Aspects: Weight: 76.9 grains. Diameter: 20.6 mm. Die alignment: 180°.
Not only were numismatists interested in Washington items in the 1860s, but this passion was also shared by the general public. In June 1865 the New York Journal of Commerce commented:
"But why can we not have the head of Washington on our coinage now? The cent is the coin in most common use, and on that it ought to be placed. We respectfully urge it on the attention of the director of the Mint. Let us have a few patterns with the head of Washington submitted to the Treasury Department, and do a good thing by thus adopting the memory of Washington as a special object of veneration."
Chief Engraver Longacre did not respond with any cent patterns, but this suggestion may have influenced the production in 1865-1866 of several pattern nickel five-cent pieces (in anticipation of the launching of this new denomination in 1866) with the portrait of Washington, including such patterns as the one offered in the present lot.
From our sale of the River Oaks Collection, November 11, 1976, Lot 928. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 226.
1866 Pattern Shield 5¢
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1035 1866 pattern five-cent piece. P-589, J-504. Rarity-7. Shield obverse. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: The adopted type with a shield and laurel branches, the motto IN GOD WE TRUST, above and the date, 1866, below.
Reverse Design: A short numeral 5 is enclosed by two laurel branches with the legend, UNITED STATES OF AMERICA, around.
Surfaces: A lovely nickel gray cameo Proof with reflective mirrored fields and very few minor spots. Sharply struck with all obverse and reverse leaves fully detailed.
Narrative: With so many different pattern five-cent coins issued this year in the composition now described simply as "nickel," we wonder if these were all produced in the final composition chosen for this denomination (75% copper and 25% nickel), or were there experimental compositions used? Of course, expensive elemental analysis would be required to make any distinction.
Technical Aspects: Weight: 75.2 grains. Diameter: 20.6 mm. Die alignment: 180°.
From Kagin's sale of the 70's, November 2, 1973, Lot 338. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 236.
1867 P-623 Indian Head 5¢
Signed by Longacre
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1036 1867 pattern five-cent piece. P-623, J-562. Rarity-7. Longacre's Indian Head. Proof-64 (PCGS). Aluminum. Reeded edge.
Obverse Design: A bust of Liberty wearing a headdress with four feathers and four stars. A ribbon across Liberty's hair is inscribed UNION & LIBERTY. The legend, UNITED STATES OF AMERICA, is above with the date, 1867, below. Below the truncation is LONGACRE F., the engraver's signature.
Reverse Design: An ornate shield is overlaid by a large Roman numeral V with the motto, IN GOD WE TRUST, above. Slight doubling is noted on certain vertical stripes in the shield.
Surfaces: Attractive light gray with deeply reflective fields and cameo devices. A few minor surface marks are visible, primarily in the obverse fields. The reverse is superb and might qualify as Proof-65 if graded separately.
Narrative: This is one of few instances in American numismatic history in which the engraver's complete surname was included as part of the design. A more famous instance, of course, is seen on 1836-dated Gobrecht dollars.
Technical Aspects: Weight: 21.7 grains. Diameter: 21.5 mm. Die alignment: 180°.
Purchased from our firm on August 11, 1971.
1867 Coronet Head Pattern 5¢
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1037 1867 pattern five-cent piece. P-627, J-566. Rarity-6. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Bust of Liberty facing left, wearing a coronet inscribed LIBERTY. The legend, UNITED STATES OF AMERICA, is around with the date, 1867, below.
Reverse Design: Laurel branches tied by a ribbon and bow encircle the denomination, 5 above and CENTS in a straight line. The motto, IN GOD WE TRUST, is above the wreath in very small letters.
Surfaces: Reflective light gray with cameo devices. An attractive Proof with a few minor spots, yet very pleasing overall.
Narrative: Another pattern from a long series of five-cent pieces produced from 1865 through 1869. Thinking about a collection of these? A complete set for these five years, by Pollock variety, would include over 120 individual pieces and would offer a fascinating challenge.
Technical Aspects: Weight: 76.0 grains. Diameter: 20.7 mm. Die alignment: 180°.
From Stack's ANA Sale, August 11, 1971, Lot 351. Previously from J.M. Wade.
Another 1867 P-627 Pattern
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1038 1867 pattern five-cent piece. P-627, J-566. Rarity-6. Coronet Head. MS-64 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Satiny light gray with a splash of bright orange on the obverse. Sharply struck with only a few minor reverse spots.
Narrative: A duplicate of the preceding.
Technical Aspects: Weight: 75.8 grains. Diameter: 20.6 mm. Die alignment: 180°.
Purchased from Stanley Kesselman, August 30, 1971.
1039 1867 pattern five-cent piece. P-638, J-570. Rarity-5+. Coronet Head. Proof-64 (PCGS). Nickel. Plain edge.
Obverse Design: Similar to preceding, except the coronet has a star below LIB. The digit 7 is distant from the hair curl.
Reverse Design: Similar to preceding, with CENTS in a curved line below 5.
Surfaces: Very attractive cameo Proof with reflective fields. A few minor spots are evident.
Narrative: This design, with Miss Liberty wearing a coronet, is quite similar to the regular-issue nickel three-cent coins, first minted in 1865.
Technical Aspects: Weight: 75.9 grains. Diameter: 20.6 mm. Die alignment: 180°.
From Abner Kreisberg's "Quality" Sales Corp, November 30, 1970, Lot 1274.
1867 Coronet P-639 Pattern 5¢
Low 7 Variety
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1040 1867 pattern five-cent piece. P-639, J-571. Rarity-7. Coronet Head. Proof-65 BN (PCGS). Copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Deep brown with light blue, lilac, and amber toning. Reflective fields and cameo devices. Sharply struck with numerous die lines in the reverse field, as made.
Narrative: The two obverse die variations were not distinguished by Dr. Judd. It is quite possible that Harry Bass was the first to make the distinction between the High 7 and Low 7 obverse varieties. He was an active student of this series during a time when most collectors had little interest in studying the minute variations among different dies.
Technical Aspects: Weight: 77.5 grains. Diameter: 20.6 mm. Die alignment: 180°.
Purchased from Lee Hewitt, April 17, 1972.
1041 1867 pattern five-cent piece. P-640, J-570a. Rarity-8. Coronet Head. Proof-55 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding except the digit 7 is close to the hair curl.
Reverse Design: As preceding.
Surfaces: Pale gray nickel surfaces with faint orange toning.
Narrative: This obverse die variation may have been discovered by Harry Bass. Only two or three pattern five-cent pieces are known from this specific obverse.
Technical Aspects: Weight: 77.0 grains. Diameter: 20.6 mm. Die alignment: 180°.
Purchased from Julian Leidman, September 16, 1971. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 256.
1868 P-692 Pattern 5¢
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1042 1868 pattern five-cent piece. P-692, J-623. Rarity-5+. Coronet Head. Proof-63 (PCGS). Nickel. Plain edge.
Obverse Design: A head of Liberty wearing a coronet inscribed LIBERTY. Around, the legend UNITED STATES OF AMERICA; below, the date 1868. This design is virtually identical to the regular-issue nickel three-cent piece and was employed for the production of many pattern issues throughout the middle and late 1860s.
Reverse Design: A laurel wreath with two branches tied by ribbon and bow. Inside, the denomination with 5 above and CENTS in a curved line below. The motto, IN GOD WE TRUST, is above in very small letters.
Surfaces: Lightly reflective nickel gray surfaces with a very minor scratch in the lower right obverse. A few insignificant spots are present on both obverse and reverse. Relatively sharp strike with a few of the beads on the top edge of the coronet merged.
Narrative: Two planchet sizes are known. This example is on a normal-size planchet for the nickel five-cent piece. See the next lot, P-693, for a broad planchet pattern from the same dies.
Technical Aspects: Weight: 74.9 grains. Diameter: 21.6 mm. Die alignment: 190°.
Purchased from Lee Hewitt, April 17, 1972.
1868 P-693 Pattern 5¢
Planchet Variant
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1043 1868 pattern five-cent piece. P-693, J-624. Rarity-6. Coronet Head. Proof-66 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: A superb example with highly reflective light gray Proof surfaces. Very sharply struck on a broad planchet. Several die polishing lines are present on both obverse and reverse.
Narrative: The same dies as found on the previous lot, however, struck on a broad planchet with very wide obverse and reverse borders outside the dentils.
Technical Aspects: Weight: 91.8 grains. Diameter: 24.1 mm. Die alignment: 190°. Die notes: As noted above, numerous die polishing lines are noted on both obverse and reverse.
From Stack's ANA Sale, August 11, 1971, Lot 355. Previously from William H. Woodin; King Farouk (Palace Collection, 1954); Bolender Sale, March 1959, Lot 636; Waldorf Sale, April 1959, Lot 1039.
Splendid 1868 P-700 Pattern 5¢
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1044 1868 pattern five-cent piece. P-700, J-630. Rarity-7. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding.
Reverse Design: An ornate shield is overlaid by a large Roman numeral V with the motto, IN GOD WE TRUST, above. Doubling is noted on certain vertical shield stripes, indicating that this is the exact same die used earlier for P-623.
Surfaces: Attractive pale gray with moderately reflective fields. Very slight weakness is noted among the high points of Liberty's hair, possibly as much a die characteristic as an indication of quality of strike.
Narrative: The wide obverse border suggests that the obverse die may be the same as that used for three-cent nickel patterns of this year.
Technical Aspects: Weight: 77.2 grains. Diameter: 21.8 mm. Die alignment: 190°.
Purchased from Lee F. Hewitt, April 17, 1972.
1868 P-701 Coronet Head 5¢
Only Two Traced
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1045 1868 pattern five-cent piece. P-701, J-631. Rarity-8. Coronet Head. Proof-64 BN (PCGS). Copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: A wreath of laurel branches encloses a Roman numeral V. Above, a scroll and Maltese cross bear the inscription IN GOD WE TRUST.
Surfaces: Lovely mahogany brown with bright blue overtones. Numerous lines in the obverse and reverse fields appear to be primarily die polishing lines, however, with a few post-mintage hairlines as well.
Narrative: An important pattern rarity with only two examples enumerated by Andrew Pollock. An important, perhaps once in a lifetime opportunity.
Technical Aspects: Weight: 73.9 grains. Diameter: 21.7 mm. Die alignment: 180°.
From Stack's ANA Sale, August 11, 1971, Lot 357. Previously from William H. Woodin, Col. E.H.R. Green, J.M. Wade. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 276.
1868 Coronet Head P-702 5¢
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1046 1868 pattern five-cent piece. P-702, J-632. Rarity-7. Coronet Head. Proof-65 BN (PCGS). Copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: A Roman numeral V is surrounded by a wreath of oak and olive leaves. Above, a scroll and star.
Surfaces: Superb cameo Proof with medium brown and bold blue toning. The devices are lighter tan and blue with traces of mint red on both obverse and reverse.
Narrative: The reverse design is virtually identical to that found on P-623 offered above, and may be from the same exact die. Study of minute die variations is an undertaking that has been attempted by very few numismatists to this point in time, but the discipline is evolving, and we expect that the next book on patterns will have much information of this nature.
Technical Aspects: Weight: 73.4 grains. Diameter: 21.8 mm. Die alignment: 180°.
Purchased from Julian Leidman, November 1, 1973. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 277.
1868 P-704 Pattern "V"
Nickel
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1047 1868 pattern five-cent piece. P-704, J-633. Rarity-6. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Similar to the preceding, however, the bust appears slightly smaller and a star is located below LIB on the coronet.
Reverse Design: A large Roman numeral V is within a laurel wreath of two branches with ribbon and bow. Above, a scroll inscribed IN GOD WE TRUST is surmounted by a small Maltese cross.
Surfaces: Reflective light gray with a trace of gold toning. Sharp design details enhance the aesthetic appeal of this gem. A few very minor spots are visible on the reverse.
Narrative: This variety has a reverse die not used in previous years. A large Roman numeral V indicates the denomination, a novelty in 1867.
Technical Aspects: Weight: 77.1 grains. Diameter: 21.7 mm. Die alignment: 180°. Die notes: Light die lines are visible on both surfaces.
Purchased from Lee F. Hewitt, April 17, 1972.
1869 Coronet Head P-762 5¢
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1048 1869 pattern five-cent piece. P-762, J-683. Rarity-7. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: A bust of Liberty faces left with a coronet inscribed LIBERTY and a star below LIB. The legend, UNITED STATES OF AMERICA, is around with the date, 1869, below.
Reverse Design: An ornate shield is overlaid by a large Roman numeral V with the motto, IN GOD WE TRUST, above. This is the same design found on P-623 and P-700, both offered earlier.
Surfaces: Lightly reflective surfaces with cameo devices. A few minor hairlines and other abrasions are present. Slightly weak at the central points of obverse and reverse.
Narrative: A continuation of the series of small denomination patterns, most likely produced for the personal profit of Mint personnel, rather than for research purposes of the Mint and Congress.
Technical Aspects: Weight: 77.0 grains. Diameter: 21.8 mm. Die alignment: 180°.
Purchased from Abe Kosoff, August 3, 1971.
1049 1869 pattern five-cent piece. P-763, J-684. Rarity-5. Coronet Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding.
Reverse Design: Same as P-704, above. A large Roman numeral V is within a laurel wreath of two branches with ribbon and bow. Above, a scroll inscribed IN GOD WE TRUST is surmounted by a small Maltese cross.
Surfaces: Bright gray Proof surfaces that are deeply mirrored with moderate cameo devices.
Narrative: According to Dr. Judd, three-piece groups of small denomination patterns were sold by the Mint for $9 per set. This issue seems to be a likely candidate for inclusion in such a trio.
Technical Aspects: Weight: 73.8 grains. Diameter: 21.8 mm. Die alignment: 180°. Die notes: Minute die lines are visible on both obverse and reverse.
Purchased from Abe Kosoff, August 3, 1971. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 293.
1871 Error Reverse Liberty Head
5¢
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1050 1871 pattern five-cent piece. P-1184, J-1050. Rarity-6. Coronet Head. Proof-64 (PCGS). Nickel. Plain edge.
Obverse Design: Liberty faces left and is wearing a coronet inscribed LIBERTY. The legend, UNITED STATES OF AMERICA, is around with the date, 1871, below.
Reverse Design: A large, reversed Roman numeral V with CENTS in a curved line below. The denomination is surrounded by a wreath of laurel tied at the bottom by ribbon and bow.
Surfaces: Light gray with faint dusky toning. The fields are deeply mirrored with moderate cameo devices. A few minor spots are visible, as are scattered lint marks, one of these appearing, at first glance, just like a die crack from the first A in AMERICA, to Liberty's head.
Narrative: The reverse has the denomination V / CENTS centered in a laurel wreath. The V is backward left to right and has its heaviest shading on the right side, a curious diecutting error. This variety is elusive, though hardly a rarity. Enough exist that every advanced pattern collector has the chance to own one.
Technical Aspects: Weight: 75.5 grains. Diameter: 22.3 mm. Die alignment: 180°. Die notes: Minute die lines only.
Purchased from Stanley Kesselman, August 5, 1971.
Gem 1871 Coronet P-1190 5¢
Superb Aluminum Pattern
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1051 1871 pattern five-cent piece. P-1190, J-1055. Rarity-7. Coronet Head. Proof-65 (PCGS). Aluminum. Plain edge.
Obverse Design: Similar to preceding, with the first digit 1 touching the bust.
Reverse Design: Similar to preceding, except the wreath has thinner leaves and the Roman numeral V has been replaced by a digit 5.
Surfaces: Light gray cameo Proof with pristine surfaces. Extremely sharp design details with superb aesthetic appeal. This is one of the highlights of the present collection, from a quality viewpoint.
Narrative: The head and wreath appear to be smaller than on the P-1184 example offered above. This is, however, an optical illusion as the fields are actually smaller in diameter, with the head and wreath being the same size as the previous lot.
Technical Aspects: Weight: 24.9 grains. Diameter: 20.6 mm. Die alignment: 180°.
From Stack's ANA Sale, August 11, 1971, Lot 365. Previously from the Lee-Freeman Sale, Lot 2516.
1881 Liberty Head 5¢
Barber's New Design
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1052 1881 pattern five-cent piece. P-1872, J-1671. Rarity-6. Liberty Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Bust of Liberty facing left, a coronet in Liberty's hair is inscribed with LIBERTY. The legend, UNITED STATES OF AMERICA, is around with the date, 1881, below.
Reverse Design: A wreath of corn, wheat, and cotton encloses a large Roman numeral V. A triangular die chip in the center of the ribbon bow looks exactly like a miniature arrowhead.
Surfaces: Light gold toning over moderately reflective fields and light cameo devices. This attractive example has a few minor hairlines and small spots, along with some minute planchet flakes, likely as struck.
Narrative: This is the same design as offered on the P-1869 nickel three-cent pattern, above, with the exception of the change in the denomination. This marks the debut of Charles E. Barber's famous Liberty Head design.
Technical Aspects: Weight: 77.0 grains. Diameter: 22.1 mm. Die alignment: 180°.
From our sale of the River Oaks Collection, November 11, 1976, Lot 934.
Splendid 1881 Liberty Head 5¢
P-1873, Copper
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1053 1881 pattern five-cent piece. P-1873, J-1672. Rarity-6+. Liberty Head. Proof-64 RB (PCGS). Copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Light orange and bright blue is accented by faint lilac and amber. A most attractive pattern, despite the presence of a few minor spots by the date.
Narrative: In his proposal for this coinage, A. Loudon Snowden stated that the various denominations should be proportional in size and weight. Later, in the same discussion, he recommended weights of one-and-a-half grams for the one-cent piece, three grams for the three-cent piece, and five grams for the five-cent issue. So much for proportional weights. Seemingly, Snowden needed a math refresher course!
Technical Aspects: Weight: 86.2 grains. Diameter: 22.1 mm. Die alignment: 180°.
Purchased from Brinton T. Schorer, February 1,1972.
1882 Liberty Head 5¢
P-1879, Nickel
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1054 1882 pattern five-cent piece. P-1879, J-1677. Rarity-7. Liberty Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Bust of Liberty facing left, a coronet in Liberty's hair is inscribed with LIBERTY. The legend, UNITED STATES OF AMERICA, is around with the date, 1882, below.
Reverse Design: A large Roman numeral V is centered in a wreath of corn and cotton, with the motto, IN GOD WE TRUST, above.
Surfaces: Sharply struck with moderate reflectivity and attractive cameo devices. Faint traces of gold toning are present.
Narrative: Numerous pattern five-cent pieces were issued in 1882, prior to the design change which occurred the following year. Most of these, 18 out of 23 issues, featured Charles Barber's Liberty Head design as the central obverse motif.
Technical Aspects: Weight: 76.5 grains. Diameter: 22.1 mm. Die alignment: 180°.
From RARCOA's sale of April 1975, Lot 389.
1882 P-1881 Pattern 5¢
Illogical Aluminum Issue
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1055 1882 pattern five-cent piece. P-1881, J-1679. Rarity-7. Liberty Head. Proof-65 (PCGS). Aluminum. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: An exquisite gem with deeply mirrored light gray fields and bright cameo devices.
Narrative: It is interesting to speculate why aluminum was used when, a year earlier, A. Loudon Snowden had commented that this metal "presents so many difficulties to coinage as to be, up to this time, practically out of the question."
Technical Aspects: Weight: 23.9 grains. Diameter: 22.1 mm. Die alignment: 180°.
From the RARCOA's sale of Harry X Boosel "1873" Collection, April 1972, Lot 1175.
1882 Pattern Liberty Head 5¢
P-1882, Nickel
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1056 1882 pattern five-cent piece. P-1882, J-1680. Rarity-6. Liberty Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: As preceding.
Reverse Design: Similar to preceding, except the motto now reads E PLURIBUS UNUM.
Surfaces: Sharply struck with light gold and iridescent toning. A lovely cameo Proof.
Narrative: Although this issue has a plain edge, another variety from this die marriage was produced with five equally-spaced ridges on the edge, the so-called "Blind man's nickel" with the ridges allowing identification of the denomination by blind people.
Technical Aspects: Weight: 79.5 grains. Diameter: 22.1 mm. Die alignment: 180°.
From Paramount's sale of February 20, 1974, Lot 784.
Rare Aluminum Pattern 1882 5¢
P-1885, Liberty Head
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1057 1882 pattern five-cent piece. P-1885, J-1682. Rarity-7. Liberty Head. Proof-65 (PCGS). Aluminum. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Brilliant light gray Proof surfaces with bright cameo devices. A faint line crosses the profile of Miss Liberty. Sharply struck and attractive.
Narrative: From the same dies as the previous lot, this variety in aluminum is exceedingly scarce, with just five or six in existence. Only four examples were enumerated by Andrew Pollock. As noted under Lot 55, the use of aluminum is illogical.
Technical Aspects: Weight: 24.0 grains. Diameter: 22.1 mm. Die alignment: 180°.
From our sale of the Armand Champa Collection, May 20, 1972, Lot 988.
1882 Liberty Head 5¢
P-1886, Nickel
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1058 1882 pattern five-cent piece. P-1886, J-1684. Rarity-6. Liberty Head. Proof-64. Nickel. Plain edge.
Obverse Design: Similar to preceding, but with much finer dentils.
Reverse Design: Similar to preceding, but with much finer dentils.
Surfaces: Light gray Proof surfaces with sharply detailed cameo devices. Unfortunately, a small spot on the reverse has been removed using a pushpin or related instrument.
Narrative: This reverse die, with fine dentils along the border, was used to produce another pattern five-cent variety in the previous year.
Technical Aspects: Weight: 76.4 grains. Diameter: 21.0 mm. Die alignment: 190°.
Purchased from Stanley Kesselman, August 30, 1971.
1882 Liberty Head 5¢
Reverse of 1883
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1059 1882 pattern five-cent piece. P-1889, J-1687. Rarity-6+. Liberty Head. Proof-64. Nickel. Plain edge.
Obverse Design: Bust of Liberty as on the preceding, with the motto, IN GOD WE TRUST, above and the date, 1882, below. Thirteen stars are arranged with seven left and six right.
Reverse Design: The adopted design for the 1883-dated Liberty nickel without CENTS.
Surfaces: Deep Proof surfaces with moderate cameo devices and some discoloration on Miss Liberty's cheek. All design details are bold. The surfaces display some minor roughness, no doubt a characteristic of the planchet prior to striking.
Narrative: Very similar to the final design adopted in 1883, however, the obverse includes the motto IN GOD WE TRUST. This motto did not appear on the regular-issue coinage.
Technical Aspects: Weight: 77.3 grains. Diameter: 21.2 mm. Die alignment: 180°.
Purchased from Stanley Kesselman, November 11, 1971. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 536.
1882 Shield 5¢ Pattern
P-1895, Nickel
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1060 1882 pattern five-cent piece. P-1895, J-1693. Rarity-7. Shield obverse. Proof-64 (PCGS). Nickel. Plain edge.
Obverse Design: Similar to the current Shield design, except the ornamental ball above the date is lacking.
Reverse Design: The current design for the Shield nickel, 5 within a starry circle, etc.
Surfaces: The obverse is of gem quality; while the reverse is certainly choice, it shows a large patch of olive discoloration. Otherwise, highly attractive.
Narrative: In his pattern reference, Andrew Pollock listed only four examples with one of these possibly a duplicate of the others. We estimate that only five or six examples of this pattern survive today. One question remains: why was this pattern issued? It is basically a minor variation of the current design in use since 1866.
Technical Aspects: Weight: 77.4 grains. Diameter: 20.4 mm. Die alignment: 180°.
From RARCOA's sale of Harry X Boosel "1873" Collection, April 1972, Lot 1178.
1882 Aluminum Shield 5¢
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1061 1882 pattern five-cent piece. P-1897, J-1695. Rarity-7. Shield obverse. Proof-65 (PCGS). Aluminum. Plain edge.
Obverse Design: As preceding, similar to the standard shield motif, but without ball above date.
Reverse Design: As preceding, the regular-issue die.
Surfaces: A superb example, save for a small scrape on the reverse rim at 7:00. Deeply mirrored light gray surfaces with sharply detailed cameo devices.
Narrative: From the same dies as the preceding, this struck in aluminum. Just three examples are enumerated in the Pollock reference, including the present offering. The others are the DiBello coin, sold by Stack's in May 1970, and the Farouk coin, which may actually be one of the other two. This is an extremely rare pattern issue, an important opportunity for the specialist.
Technical Aspects: Weight: 19.3 grains. Diameter: 20.6 mm. Die alignment: 180°.
From RARCOA's sale of Harry X Boosel "1873" Collection, April 1972, Lot 1179.
1883 Pattern Liberty Head 5¢
P-1911, Pure Nickel
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1062 1883 pattern five-cent piece. P-1911, J-1707. Rarity-6+. Liberty Head, experimental alloy inscriptions. Proof-64 (PCGS). Pure nickel. Plain edge.
Obverse Design: Bust of Liberty as used on the Liberty Head nickels introduced this year. The legend, UNITED STATES OF AMERICA, is around with the date, 1883, below.
Reverse Design: A wreath of cotton with FIVE above and CENTS below. Thirteen stars are arranged outside the wreath with seven left and six right. Within the wreath, the composition is in two lines, 75 N. above and 25 C. below.
Surfaces: Bluntly struck on the high points of both obverse and reverse. Deeply reflective fields with attractive cameo devices. Minor planchet flaws, as struck. This example is magnetic, indicating it is pure nickel, despite the inscription.
Narrative: Planchets were prepared by the Mint with several different experimental alloys combining nickel and copper. Among these are pieces with 100% nickel, 75% nickel, 50% nickel, and 33% nickel. In each of these scenarios, the balance of the alloy was copper. Finally, the composition remained 25% nickel and 75% copper, the alloy that is still used today. What is unknown about these experimental alloy pieces, however, is whether the actual pattern coin is of the alloy indicated in the description. Elemental analysis would be required to ascertain this, save for the exceedingly rare pure nickel coins such as this.
Technical Aspects: Weight: 84.9 grains. Diameter: 22.1 mm. Die alignment: 180°.
Purchased from Joe Flynn, Sr. Coin Co., August 10, 1971.
1883 Liberty Head Pattern 5¢
Experimental Alloy Inscriptions
P-1913, Aluminum
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1063 1883 pattern five-cent piece. P-1913, J-1709. Rarity-7. Liberty Head, experimental alloy. Proof-67 (PCGS). Aluminum. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Glittering light gray cameo Proof with sharp design details and superb surfaces.
Narrative: A delightful gem example of this off-metal variety, one of just a few known. We have records of just six examples, and doubt that more than three or four more exist.
Technical Aspects: Weight: 23.0 grains. Diameter: 22.1 mm. Die alignment: 180°.
From Stack's ANA Sale, August 11, 1971, Lot 369. Previously from the Lee-Freeman Sale, Lot 2535.
1883 Liberty Head Pattern 5¢
P-1914, Experimental Alloy
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1064 1883 pattern five-cent piece. P-1914, J-1710. Rarity-5+. Liberty Head, experimental alloy. Proof-67 (PCGS). Nickel alloy. Plain edge.
Obverse Design: As preceding.
Reverse Design: Similar to preceding except the composition now reads 50 N. above and 50 C. below.
Surfaces: An aesthetic delight. This gem has very deep mirrored fields and superb cameo devices, heavily lustrous. A coin for the connoisseur.
Narrative: Based on the research of Andrew Pollock, this is the most common variety of all the experimental alloy five-cent patterns, although there are still probably less than 40 examples surviving. In the absence of elemental analysis it is not possible to determine the actual composition used to strike this piece.
Technical Aspects: Weight: 75.0 grains. Diameter: 22.1 mm. Die alignment: 180°.
From the RARCOA's sale of the Harry X Boosel "1873" Collection, April 1972, Lot 1182.
Another Gem 1883 P-1914 5¢
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1065 1883 pattern five-cent piece. P-1914, J-1710. Rarity-5+. Liberty Head, experimental alloy. Proof-66 (PCGS). Nickel alloy. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Deeply reflective cameo Proof surfaces with sharp design details. A minor planchet lamination is visible on the obverse.
Narrative: A duplicate of the preceding lot. The alloy given in the inscription was not adopted for coinage. The project of testing various alloys of nickel for coinage proved to be unnecessary, as the final decision was to retain the 25% nickel, 75% copper alloy that was in use prior to these tests.
Technical Aspects: Weight: 75.7 grains. Diameter: 22.1 mm. Die alignment: 180°.
From Stack's ANA Sale, August 11, 1971, Lot 370. Previously from Stack's sale of October 1949, Lot 253.
1883 Experimental Alloy 5¢
P-1916, Nickel Alloy
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1066 1883 pattern five-cent piece. P-1916, J-1712. Rarity-6. Liberty Head, experimental alloy. Proof-64 (PCGS). Nickel alloy. Plain edge.
Obverse Design: As preceding.
Reverse Design: Similar to preceding except the composition now reads 33 N. above and 67 C. below.
Surfaces: Sharply struck with a few minor surface spots and abrasions. Moderately reflective with light cameo devices.
Narrative: Most surviving examples of this pattern variety no doubt trace their pedigree to a hoard of 16 examples from the William H. Woodin and F.C.C. Boyd collections. This hoard was acquired by Abe Kosoff and eventually sold to dealer Sol Kaplan.
Technical Aspects: Weight: 76.9 grains. Diameter: 22.1 mm. Die alignment: 180°.
Purchased from Joe Flynn, Sr. Coin Co., August 10, 1971.
1883 Pattern Liberty Head 5¢
Reverse: Regular Die
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1067 1883 pattern five-cent piece. P-1919, J-1714. Rarity-6. Liberty Head. Proof-65 (PCGS). Nickel. Plain edge.
Obverse Design: Bust of Liberty similar to the adopted type, without inscription on the coronet. LIBERTY is above and the date is below, with 13 stars arranged seven left and six right.
Reverse Design: The adopted type without CENTS.
Surfaces: Bright gray with a touch of faint gold toning. Very sharply struck with a few minute spots. An attractive cameo Proof.
Narrative: A variation of the adopted design for the Liberty Head nickel, with the inscription LIBERTY included at the top of the obverse rather than on the coronet. A very appealing die combination.
Technical Aspects: Weight: 74.8 grains. Diameter: 21.2 mm. Die alignment: 180°. Die notes: The S of PLURIBUS is sharply recut, possibly an identification point when comparing this to regular-issue 1883 No CENTS nickels.
From Paramount's sale of February 20, 1974, Lot 786. Illustrated in United States Patterns and Related Issues, by Andrew W. Pollock III, as figure 547.
1883 Liberty Head 5¢
"CENTS" on Scroll
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1068 1883 pattern five-cent piece. P-1922, J-1717. Rarity-6+. Liberty Head. Proof-66 (PCGS). Nickel. Plain edge.
Obverse Design: The adopted design.
Reverse Design: Similar to the adopted design, with a scroll, inscribed CENTS, draped across the Roman numeral V.
Surfaces: A lovely cameo Proof with light gold toning. Sharply detailed with pristine surfaces. A gem example for the specialist or connoisseur.
Narrative: Among 1883 five-cent patterns, this is one of the most significant. The present specimen represents an important opportunity.
Technical Aspects: Weight: 76.9 grains. Diameter: 21.4 mm. Die alignment: 180°.
The 1883 No-CENTS Caper: This represents the first 1883 reverse die to which the word CENTS has been added to the V on the reverse, thus revealing to the uninitiated observer that this is a five-cent coin, not something else. As is well known among the twice-told tales of numismatics, the early versions of the 1883 Liberty Head nickel made for circulation had the value of the coin stated simply by the Roman numeral V (the style employed on the previous two coins). It was quickly perceived that such a coin, if gold plated, might pass in commerce as a $5 gold coin, as the nickel and the $5 gold piece are of the same diameter. Sometimes the nickels were run through a milling machine and given a "reeded edge."
To avoid the appearance of culpability, to maintain the illusion of innocence, the person with such a golden nickel would go to a shop and tender it for a five-cent item such as a cigar or some candy. The proprietor would believe it to be a $5 gold coin and deliver $4.95 in change. If questioned, the patron would say that he simply gave the coin, did not say it was a $5 gold coin, and was not responsible for the shopkeeper's mistake.
After many millions of regular 1883 CENTS-less Liberty Head nickels were struck, the Mint realized that the design had to be changed. Accordingly, at least one pattern die (the die offered in this lot) was made, this with the word CENTS on a rather elegant-appearing ribbon across the V. However, it was decided to be less artistic, and in final form the CENTS inscription was added in large letters near the bottom of the die.
The false rumor spread that the Mint was embarrassed and would be calling in all of its "mistakes." 1883 Liberty Head nickels without CENTS would have great value. Even established collectors fell victim to the news, and in April 1883 the American Journal of Numismatics informed its readers:
"MINT COINS FOR 1883.… Large orders have been received from the Northwestern states, Mississippi Valley, and Pacific coast, where there are few small coins, for the new five-cent piece. This demand has been greatly increased by the descriptions of the new coin so widely printed. The Mint supplies this coin in amounts of $5 each, and the parties to whom the coins are sent pay for the expressage, but if sent in sums of $20, the expressage is paid by the Mint itself. We have noticed boys peddling this new coin along the streets at 20 cents each, the price varying with the demand. Some impressions are found struck from a broken die. It is reported that all of this issue are to be recalled by order of Secretary Folger, and the dies altered by adding the word CENTS."
For a generation afterward, the 1883 Liberty Head nickel without CENTS was good news and bad news for coin dealers. Some sold them to the public for 10¢ or 15¢, turning a small profit and gaining names for their mailing lists.
In June 1884, Ebenezer Locke Mason, Jr., erstwhile Philadelphia rare coin dealer who had since moved to Boston, in Mason's Monthly Illustrated Coin Collector's Magazine, offered for sale 1883 Liberty Head nickels without CENTS, which at the time were scarcely one year old. The prices were as follows: Proofs - 10¢ each, Uncirculated-10¢ each, Circulated-8¢ each, "discount by the 100."
In Lake Village (today known as Lakeport), New Hampshire, John W. Hubbard published The Curiosity World, a newspaper that included stories of coins (in particular, by H.J. Miron, who is not otherwise remembered in numismatics, to our knowledge, which may be limited), stamps, birds' eggs, and other collectibles. The October 1886 number of The Curiosity World, Volume I, Issue No. 2, included H.J. Miron's "The Coins of the United States" article, which discussed silver dollars from 1794 through 1804, with a fairly lengthy commentary on the last named rarity. As publishers are sometimes wont to do (the Lawrence Brothers of Anamosa, Iowa, active in the 1950s, come to mind), Hubbard had some items of his own for sale. Under an illustration of the 1883 CENTS-less nickel was this copy:
"The government has been calling in the V nickels of 1883 without CENTS, ever since their coinage was stopped. They are melted and coined into the common nickels. We have a few of the variety without cents, like the above cuts, which we are willing to sell at 15¢ each. Every one who does not a specimen should procure one at once as in a short time they will cost much more. John M. Hubbard, Lake Village, NH."
In 1887 in a hobby sheet titled The Old Curiosity Shop, H.T. Upson, a dealer in Indian relics in Parkersburg, West Virginia, diversified his stock and offered 1883 CENTS-less nickels for sale. Many similar offerings could be cited.
Other dealers found the situation to be a first-class annoyance. In 1905, Alexander & Co., rare coin dealers in Boston, added this terse note to its catalogue: "1883 nickels without word CENTS are generally supposed to command a premium. They do not."
In 1908 Farran Zerbe recalled: "You all know of the numismatists' nightmare, the nickels without CENTS. I have a sentimental regard for this all too numerous and troublesome piece. It commanded my interest in our subject. That was in 1883, 25 years ago." Seeing this curious coin initiated a lifelong fascination for Zerbe, who later went on to acquire many interesting coins which he incorporated in his Money of the World exhibit (shown at the 1904 St. Louis World's Fair, the 1915 Panama Pacific International Exposition, and elsewhere).
History repeats itself. Art Kagin, who became prominent in professional numismatics beginning in a large way in the 1940s through 1960s when he and his brother Paul conducted the Hollinbeck Coin Co., initiated his collecting interest in the 1920s when he first encountered one of these curious 1883 coins with a V on the reverse, was puzzled by it, developed a fascination, then sought to learn its story. Ever since then, the stories behind coins have been an important factor to Art. All things being equal, given a choice Art would rather buy a coin with a story, than acquire one that just is pricey or "rare" (whatever that means), but which has no story.
From Paramount's sale of February 20, 1974, Lot 787.
1896 Shield 5¢ Pattern
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1069 1896 pattern five-cent piece. P-1987, J-1770. Rarity-6. Shield obverse. Proof-65 (PCGS). Nickel-copper. Plain edge.
Obverse Design: Shield with LIBERTY on a scroll passing over the shield. The motto, E PLURIBUS UNUM, is above, and the date below. Thirteen stars are arranged with seven left and six right. Two poles cross behind the shield with a Liberty cap at the top of the pole to the viewer's left and an eagle on the pole to the right. The eagle's head is centered under S.
Reverse Design: A wreath with stem at 7:00, encircles the denomination, 5 CENTS, in a counterclockwise turn. The legend, UNITED STATES OF AMERICA, is outside the wreath.
Surfaces: Deeply mirrored light gray surfaces with light cameo devices. An attractive example. A few minor spots and abrasions are visible.
Narrative: In the Mint Director's Annual Report for the fiscal year ending June 30, 1897, several different compositions were reported for this pattern variety. One of these was the standard composition of 75% copper and 25% nickel. The balance were various compositions including copper, nickel, and zinc, with one even including 3% silver.
Technical Aspects: Weight: 77.3 grains. Diameter: 21.3 mm. Die alignment: 180°.
Purchased from Stanley Kesselman, August 30, 1971.
Another 1896 P-1987 5¢
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1070 1896 pattern five-cent piece. P-1987, J-1770. Rarity-6. Shield obverse. Proof-64 (PCGS). Nickel-copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: A pristine gem save for a minor planchet flake below the I of PLURIBUS, certainly as struck. This is a lovely example of the type, normally seen in scruffy or impaired quality. Fortunately, this is a glorious exception.
Narrative: All patterns of 1896, including both one-cent and five-cent denominations, were of this single basic design. The varieties consist of minor die variations or composition changes.
Technical Aspects: Weight: 77.3 grains. Diameter: 21.3 mm. Die alignment: 180°.
From Abner Kreisberg's "Quality" Sales Corp, November 30, 1970, Lot 1287.
A Third 1896 P-1987 5¢
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1071 1896 pattern five-cent piece. P-1987, J-1770. Rarity-6. Shield obverse. Proof-62 (PCGS). Nickel-copper. Plain edge.
Obverse Design: As preceding.
Reverse Design: As preceding.
Surfaces: Very faint gold toning with light cameo devices. Very light hairlines and other abrasions are noted.
Narrative: Today, the only positive method of determining the actual composition is through elemental analysis. Although the Mint Director's report included planchet weights for the various compositions, the variance in weight among actual patterns is sufficient to render this information unusable.
Technical Aspects: Weight: 76.4 grains. Diameter: 21.3 mm. Die alignment: 180°. Die notes: The outside left curve of the digit 9 is slightly doubled, a characteristic not previously mentioned in the literature.
Purchased from Stanley Kesselman, August 30, 1971.
1870 Pattern Half Dime
Barber's Liberty Seated Design
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1072 1870 pattern half dime. P-904, J-815. Rarity-7. Barber's Liberty Seated obverse. Proof-66 (PCGS). Silver. Reeded edge.
Obverse Design: A full figure of Liberty is seated, facing left. The legend, UNITED STATES OF AMERICA, is around with the date, 1870, below. Liberty supports a shield with her right hand, a scroll crossing the shield is inscribed LIBERTY. Her left hand holds an olive branch. A freestanding pole with Liberty cap passes behind the shield. This design was created by William Barber, and was used throughout the silver denominations up to the dollar.
Reverse Design: The adopted type used to strike regular-issue half dimes.
Surfaces: Deep brownish gray and blue-green toning subdues the otherwise reflective mirrored fields and cameo devices.
Narrative: Fewer than a dozen are known to exist, thus indicating an important opportunity for the half dime specialist to obtain a gem example of this design.
Technical Aspects: Weight: 19.4 grains. Diameter: 15.3 mm. Die alignment: 180°.
Purchased from Numismatics, Ltd., August 12, 1974.
1871 Indian Princess Half Dime
Longacre's Triumph (Posthumous)
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1073 1871 pattern half dime. P-1194, J-1059. Rarity-7. Indian Princess obverse. Proof-65 (PCGS). Silver. Reeded edge.
Obverse Design: James B. Longacre's Indian Princess design. A full figure of Liberty is seated on a globe, facing left. She is wearing an Indian headdress. A pole with Liberty cap is held in her right hand with her left hand resting on the globe, which is inscribed LIBERTY. The date, 1871, is below. Behind Liberty's left shoulder are two flags, one ornamented with 13 stars. This motif, with starless field, presents a cameo appearance of rare beauty. Longacre's work thus lived after him, as the artist died on January 1, 1869.
Reverse Design: A wreath of cotton and corn encloses the denomination, 5 above and CENTS below in a curved line. Above the wreath is the inscription STANDARD.
Surfaces: Light champagne is highlighted by russet and blue peripheral toning. A sharply struck and attractive cameo Proof.
Narrative: This same beautiful Longacre obverse motif without stars appears on patterns of all current (in 1871) silver denominations from half dime through dollar.
Technical Aspects: Weight: 19.1 grains. Diameter: 15.5 mm. Die alignment: 180°. Die notes: Minute die lines only.
From Boozer & Weaver's sale of February 19, 1979. Previously from Robert Hughes' Byron Johnson Sale, January 30, 1979, Lot 28.
1871 Indian Princess Half Dime
P-1195, Copper
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1074 1871 pattern half dime. P-1195, J-1060. Rarity-7. Indian Princess obverse. Proof-66 BN (PCGS). Copper. Reeded edge.
Obverse Design: As preceding, Longacre's Indian Princess, without stars.
Reverse Design: As preceding.
Surfaces: Lilac and light orange surrounded by vivid blue toning. A superb gem for the connoisseur.
Narrative: We are aware of just five examples known, although it would not surprise us to learn of one or two more. By any account, it is a prime rarity.
Technical Aspects: Weight: 18.2 grains. Diameter: 15.4 mm. Die alignment: 180°. Die notes: Minute die lines.
From our sale of the Armand Champa Collection, May 20, 1972, Lot 1002. Previously from Associated Coin Corp's sale of June 1958, Lot 2177.
1871 Indian Princess Half Dime
P-1196, Aluminum
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1075 1871 pattern half dime. P-1196, J-1061. Rarity-8. Indian Princess obverse. Proof-64 (PCGS). Aluminum. Reeded edge.
Obverse Design: As preceding, Longacre's Indian Princess, without stars.
Reverse Design: As preceding.
Surfaces: Sharply struck with reflective light gray fields around bright gray cameo devices. An attractive example of this scarce issue.
Narrative: This example, in aluminum, is from the same dies as in the previous two lots. This is a very rare pattern issue, one of just two or three known.
Technical Aspects: Weight: 5.7 grains. Diameter: 15.5 mm. Die alignment: 180°. Die notes: Two tiny die chips are visible on the reverse at 9:00.
Purchased from Joe Flynn, Sr. Coin Co., August 10, 1971.
1871 Indian Princess Half Dime
P-1198, Copper
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1076 1871 pattern half dime. P-1198, J-1063. Rarity-7. Indian Princess obverse. Proof-64 RD (PCGS). Copper. Reeded edge.
Obverse Design: As preceding, Longacre's Indian Princess, without stars.
Reverse Design: The adopted type used to strike regular-issue half dimes.
Surfaces: Light pinkish orange with splashes of pale blue. A few minor abrasions are present.
Narrative: The popular Indian Princess design, in this case mated with a reverse as seen on regular-issue half dimes. Just a small number exist, perhaps seven or eight pieces. It is to be regretted that Longacre's Indian Princess design never appeared on regular coinage issues. This and related situations are unfortunate scenarios, as some pattern designs are much more attractive than the adopted motifs.
Technical Aspects: Weight: 17.9 grains. Diameter: 15.4 mm. Die alignment: 180°.
Purchased from Julian Leidman, July 28, 1972.
1871 Indian Princess Half Dime
Stars Added to Obverse
P-1200, Silver
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1077 1871 pattern half dime. P-1200, J-1065. Rarity-6+. Indian Princess obverse. Proof-64 (PCGS). Silver. Reeded edge.
Obverse Design: Similar to the preceding, with the addition of 13 stars around the border.
Reverse Design: A wreath of cotton and corn encloses the denomination, 5 above and CENTS below in a curved line. Above the wreath is the inscription STANDARD.
Surfaces: Light gold is accented by faint russet, lime green, and amber toning. Moderate reflectivity with subdued cameo devices.
Technical Aspects: Weight: 19.1 grains. Diameter: 15.4 mm. Die alignment: 180°.
From our sale of the Armand Champa Collection, May 20, 1972, Lot 1003.
1871 Indian Princess Half Dime
P-1201, Copper
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1078 1871 pattern half dime. P-1201, J-1066. Rarity-7. Indian Princess obverse. Proof-66 BN (PCGS). Copper. Reeded edge.
Obverse Design: As preceding, Longacre's Indian Princess, with stars.
Reverse Design: As preceding.
Surfaces: Bright blue is blended with lilac and light orange. A sharply struck cameo Proof with lovely surfaces.
Narrative: Another rarity among pattern half dimes. Just five or six examples are known.
Technical Aspects: Weight: 19.0 grains. Diameter: 15.4 mm. Die alignment: 170°.
Purchased from Julian Leidman, September 16, 1971.
1871 Indian Princess Half Dime
P-1204, Silver
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1079 1871 pattern half dime. P-1204, J-1068. Rarity-7. Indian Princess obverse. Proof-66 (PCGS). Silver. Reeded edge.
Obverse Design: As preceding, Longacre's Indian Princess, with stars.
Reverse Design: The adopted type used to coin regular-issue half dimes.
Surfaces: Brilliant pale gold with light bluish green at the periphery. A sharply struck cameo Proof with only a few minor abrasions. Highly attractive.
Narrative: A further opportunity to acquire an example of this lovely obverse design. When offering major collections, such as the Bass Collection coins, and earlier the Eliasberg Collection, we use the word "opportunity" with frequency. In reality, however, these opportunities usually occur only when a major collection crosses the auction block. As we draw close to the new millennium, it is evident that very few old-time classic collections remain to be offered in the future. Our auction series from the Garrett Collection in 1979 down to the Bass and Childs Collections in 1999 will not be repeated.
Technical Aspects: Weight: 19.4 grains. Diameter: 15.5 mm. Die alignment: 180°. Die notes: Several crisscross die lines are visible on the obverse.
Purchased from Stanley Kesselman, November 11, 1971.
